Workshop 1:
September 20-22, 2019
McGill University in Montréal, Québec, Canada
In attendance: Jennifer Bain, Julie Cumming, Ichiro Fujinaga, Andrew Hankinson, Kate Helsen, Emily Hopkins, Debra Lacoste, James Maiello, Fallen Matthews, Cory McKay, Néstor Nápoles López, Michael Norton, Rebecca Shaw, Gabriel Vigliensoni.

Workshop 2 [COVID CANCELLATION]:
July 20, 2020
Prague, Czech Republic

Workshop 3 (moved online):
December 15, 2020
Hosted from Halifax, Nova Scotia, Canada

June 2, 2019
SIMSSA Workshop XVIII, at the Music Encoding Conference
Vienna, Austria
Jennifer Bain, “Digital Analysis of Chant Transmission.”

March 5-6, 2020
Digital Humanities in Early Music Research I “Session I: Early music databases, encoding, analysing and OMR”
Masaryk Institute, Prague
Presentations and hands-on workshops led by Jennifer Bain (Dalhousie University) and Debra Lacoste (Cantus: A Database for Latin Ecclesiastical Chant).

planned for May 7, 2020 [COVID CANCELLATION / POSTPONEMENT]
International Congress on Medieval Studies
Western Michigan University, Kalamazoo, Michigan
“Fragments and the Digital Analysis of Chant Transmission (A Panel Discussion)”
A panel discussion with Jennifer Bain (Dalhousie University), Lisa Fagin Davis (Medieval Academy of America), Alison Altstatt (University of Northern Iowa), and Debra Lacoste (Cantus: A Database for Latin Ecclesiastical Chant). Chair: Michael Norton.

planned for June 2, 2020 [COVID CANCELLATION / POSTPONEMENT]
Canadian Society of Medievalists
Western University, London, Ontario, Canada
Session: “Liturgical Fragments”
Papers by Jennifer Bain (Dalhousie University), Kate Steiner and Debra Lacoste (University of Waterloo), and Meredith Bacola (University of Manitoba).

planned for July 1-4, 2020 [COVID CANCELLATION / POSTPONEMENT]
MedRen (Medieval and Renaissance Music Conference)
The University of Edinburgh, Scotland, UK
Jennifer Bain, Panelist, “Notated Fragments from Medieval Europe: Transregional Research and Digital Technologies”

planned for July 15-19, 2020 [COVID CANCELLATION / POSTPONEMENT]
Cantus Planus Study Group of the International Musicological Society
Telč, Czech Republic

• William Duba (Fragmentarium), Workshop session: “Dispersal Reversed? Uploading Your Manuscript Fragment Images and Cataloguing them Online”
• Jennifer Bain, Paper: “Traces of Liturgy: Analysing Manuscript Fragments from the Binding of the Riesencodex (D-WI1 2)”
• Debra Lacoste and Jennifer Bain, Poster Session: “The DACT Project, Digital Analysis of Chant Transmission”

planned for October 22, 2020 - March 13, 2021 [COVID CANCELLATION / POSTPONEMENT]
Musée des Arts Anciens, Namur, Belgium
Exhibition: Centuries of Silence: the Discovery of the Salzinnes Antiphonal
In partnership with the Société archéologique de Namur, an exhibition featuring the Salzinnes Antiphonal (owned by Saint Mary’s University, Halifax, Nova Scotia, Canada) in Namur, Belgium, its place of origin.

planned for October 24, 2020 [COVID CANCELLATION / POSTPONEMENT]
Namur University, Belgium
“Salzinnes Symposium”
A one-day symposium of papers and panel discussions by international scholars on topics related to the Salzinnes Antiphonal, developments in digital technology, and manuscript studies. Includes a tour through the “Centuries of Silence” exhibition at the Musée des Arts Anciens and a concert of some of the music contained in the manuscript.

May 2021
International Congress on Medieval Studies
online through Western Michigan University, Kalamazoo, Michigan
“Fragments and the Digital Analysis of Chant Transmission (A Panel Discussion)”
A panel discussion with Jennifer Bain (Dalhousie University), Alison Altstatt (University of Northern Iowa), and Debra Lacoste (Cantus: A Database for Latin Ecclesiastical Chant). Chair: Michael Norton.

2021
Canadian Society of Medievalists
Session: “Liturgical Fragments”
Papers by Jennifer Bain (Dalhousie University), Kate Steiner and Debra Lacoste (University of Waterloo), and Meredith Bacola (University of Manitoba).

2022-2023
Musée des Arts Anciens, Namur, Belgium
Exhibition: Centuries of Silence: the Discovery of the Salzinnes Antiphonal
In partnership with the Société archéologique de Namur, an exhibition featuring the Salzinnes Antiphonal (owned by Saint Mary’s University, Halifax, Nova Scotia, Canada) in Namur, Belgium, its place of origin.

Fall 2022
Namur University, Belgium
“Salzinnes Symposium”
A one-day symposium of papers and panel discussions by international scholars on topics related to the Salzinnes Antiphonal, developments in digital technology, and manuscript studies. Includes a tour through the “Centuries of Silence” exhibition at the Musée des Arts Anciens and a concert of some of the music contained in the manuscript.